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Wall hangings
Internal Sources of My Endless Supply
Leather, textile, straps and symbols of circularity and whimsy dismantle the trope of downtrodden womanhood.
Cards are a recurrent motif inspired by tarot. They suggest elements of chance and forms of forgotten knowledge we have the ability to access within.
Tucks, pleats, ties, feathers, hand-stitching and knitting are foundational to the artist's practice as intervention and a ‘handmade recovery’.
Using the visual language of tailoring the piece aims to make visible the lightness required in the face of outdated systems of belief that would try to hold us back.
The recurrent use of leather as a stand in for vulnerability invites reconnection to our own nature as a part of the wider natural world.
Use of strapping to connect, pull up, hold together, or hold on draws on references in fashion, luggage, mental health settings and bondage.
Spherical forms and curving fragments are code for constant movement and certain change.
Internal Sources of My Endless Supply IV, May 2025 Leather offcuts, hessian, vintage linen, electrical cord, salvaged parts domestic kitchen equipment.
Internal Resources of My Endless Supply I, 2025.
Internal Resources of My Endless Supply II, 2025.
Internal Resources of My Endless Supply III, 2025.
Power Pieces are sculptural wall altars built from objects and fragments. Assembled with objects crossing culture, language, geography and time, they seek to decode and re-define respectability and make way for new sources of power.
These 3D wall pieces use everyday items, ephemera, detritus, jewellery, textile and steel fragments and ancient iron to imbue ordinary and discarded things with significance. They seek to challenge what we value and what we preserve.
Everyday Miracles, 2025
Vintage domestic steel and metal fragments, found textiles and objects and mother's glass pill cup, gilded on synthetic fur wedding shawl
117.5 cm high × 72.5 cm wide x 8 cm deep
Something to believe in, 2025
Felted wool, wooden chair fragment, vintage iron hob, found objects on canvas backed hessian.
107.5 cm high x 59.5 cm wide x 8 cm deep.
Intentions of Tenderness, 2025
107.5 cm high x 59.5 cm wide x 8 cm deep.
Ode to the Ephemeral, 2026
107.5 cm high x 59.5 cm wide x 8 cm deep.
Modern Ancients of the Beforetimes, 2026
117.5 cm high × 65 cm wide x 8 cm deep
I Am the Mountain Electric, 2026
107.5 cm high x 59.5 cm wide x 8 cm deep.
EMBRACE: The things that unite us.
Interactive installation of multi-sensory soft wall sculptures responding to social division.
Conceived in the wake of rising social and political divisiveness and the diminishing art of civil discourse, the artist asks: Can the universal language of the embrace step in to bridge the divide?
Visitors were invited to breach the 4th gallery wall to touch, squeeze or embrace the tactile pieces, incorporating scent, sound and responsive light.
Facilitated events invited visitors to pause together for an ‘embrace meditation’ and consider the hurts that unite all people with one another.
Photos: Liz Gorman
Responsive LED lights illuminate in presence of visitor.
