Mixed media practice

As an installation and mixed media artist, I use assemblage, tailoring and metalwork techniques to form layers of meaning in each piece.

I collect and combine fragments and objects as a form of sense-making, connection to memory and emotional research.

By elevating lost or forgotten things I seek to form a symbiotic voice to speak in partnership with the things we overlook and discard.

My work is informed by a previous career in environmental sustainability and mental health advocacy. Recurrent use of decayed items and defiled table linens signals a desire to uncover authentic truths that make way for the unvarnished self.

I’m committed to supporting the next generation of leaders to access their confidence, empathy, creative thinking and problem solving skills through creative making with peers of all ages and experience.

Permission structures in blue, 73 cm w x 120 cm h, 2025, vintage hemp and lace linens, steel hoop, electrical wire, leather offcuts, found objects on canvas and wood.

Deep in the swallowings, 70 cm w x 115 cm h, 2025, Galvanised steel offcut, paper, leather offcuts, accidental knitting, found objects on canvas and wood.

Good Girl, 65 cm w x 115 cm h, 2025, hessian, leather offcuts, formed wire and found objects on canvas and wood.

Body of evidence — sixteen expressions of emotional data. Series of mixed media assemblages developed during historical period 20 January - 20 April, 2025 as part of research into ephemeral data including emotion as a stream of information.

Ad hoc instruments for sound production fashioned from fired leather and found metal and ceramic objects, Tyler Moorehead 2021-2.

Imaginary instruments I-IV from ‘I can’t remember where I came from’ installation, 2024, reclaimed steel, slate, ceramic and other fragments. From group show ‘Boundaries’ , Lucca, Italy.

Black sphere, stone artefact, Tyler Moorehead, stone, gold acrylic, found object, 2024.

Chrome eye, stone artefact, Tyler Moorehead, stone, gold acrylic, found objects, 2024.

Herbie & Donnie, stone artefact, Tyler Moorehead, printed stone, gold acrylic, found object, 2024.

I Can’t Remember Where I Came From - Central installation, 5m w x 1.68m h, 2024, stone, tarpaulin and hessian sack as network of interdependent artefacts.

Even on my knees, 1.2m w x 60cm d x 2.8m h, 2018, Bamboo cane, vintage table linens, gold leaf, vintage kimono ties, found objects.

You Are Not Other People, 33 cm w x 36 cm d x 98 cm h, 2023, Wooden box, acrylic paint, chalk, vintage table linens, found objects.

Rooted, 48.5h x 64.5w x 29d cm, 2022, wire mesh offcut, reclaimed steel bolts and wood blocks, marble fragment.

Signs of life, 40cm h x 36cm w x 32cm d, 2022, aluminium wire mesh, latex, acrylic paint, found metal and wood objects.

Meet Me at the Upside Down Table, 2018-19. Bespoke games tea table installation for interactive community tea experience designed for families, residents and office workers near Southwark Underground.

Winner: Design in Mental Health ‘Art Installation of the Year’.

Sponsored by Illuminate Productions Artist in Residence programme.

‘Meet Me at the Upside Down Table’ tea game experience with group.

Detail tea game table top. Wool felt, leather and vintage lace remnants, plywood.

Community observers ‘Meet Me at the Upside Down Table’. 2018

‘Social Fabric’ intergenerational workshops at Mental Fight Club’s Dragon Cafe, SE1. Tyler Moorehead lead 2016-2017.

‘Social Fabric’ upholstery stripping session at Mental Fight Club’s Dragon Cafe, SE1. Tyler Moorehead lead, 2016-2017.

‘Social Fabric’ intergenerational workshops at Mental Fight Club’s Dragon Cafe, SE1. Tired wing chairs donated by hospitals were recovered with residents for a fundraising auction, Tyler Moorehead lead 2016-2017.

‘Social Fabric’ chair event at Mental Fight Club’s Dragon Cafe, SE1 featured artists performing from the chairs. Tyler Moorehead lead 2016-2017.